Figurative Paintings
Paper Dolls & Perfect Walls
This series is an idealistic, nostalgic exploration of femininity, deeply rooted in the tensions between societal expectations and the authentic self. Through a blend of midcentury advertising aesthetics and modern reflection, the work taps into a time when women were confined to narrow roles and appearances—expected to embody perfection, beauty, and quiet compliance. The wallpaper-like backgrounds symbolize the pressure to blend in, to conform. They serve as a visual metaphor for the invisible walls of societal norms, hinting at the persistent need to "fit in" and remain socially acceptable. Against these patterned backdrops, the female figures emerge—simplified and often dehumanized, suggesting the transformation of women into dolls or posters, mere representations of what they are supposed to be. There’s an underlying struggle in the work between the pursuit of perfection and the freedom of instinctual, expressive brushstrokes. This tension mirrors the internal conflict many women face—trying to meet impossible standards while yearning to break free from them. The figures, caught between these dual forces, reflect the ongoing pressure to “be a lady,” to uphold an idealized version of femininity that suppresses individuality. The nostalgic appeal of this series is not without irony. It calls back to an era where the roles and expectations of women were clearly defined and policed, while questioning the allure of returning to a time when women’s identities were shaped by external pressures rather than internal desires. Through this exploration, the work challenges viewers to reconsider the ways in which society continues to shape and restrict feminine identity today.
She’s a Mess
In the series "She's a Mess," I delve into the complexities of womanhood by blurring the lines between abstract and realism. This exploration serves to reveal the strength found in our imperfections, inviting viewers to embrace the multifaceted nature of identity. By distorting or erasing facial features, I aim to challenge conventional standards of beauty and encourage a deeper appreciation for the raw, unfiltered essence of women.
The quality of brushstrokes plays a pivotal role in this series, acting as a visual language that communicates emotion and experience. Each stroke is intentional yet fluid, reflecting the dynamic interplay between strength and vulnerability. The abstraction of the women's forms emphasizes their resilience, showcasing how imperfections contribute to their unique stories rather than detract from their beauty.
Through "She's a Mess," I seek to create a space where women can be celebrated for their authenticity and complexity. This series serves as a reminder that strength is not synonymous with perfection; rather, it is found in the courage to embrace one's true self, imperfections and all. By inviting viewers to engage with these works, I hope to foster a deeper understanding of the beauty inherent in our messiness, encouraging a dialogue around self-acceptance and empowerment.
She’s so Vintage
In the series "She's So Vintage," I explore the intersection of nostalgia and contemporary perception, inviting viewers to reconsider the portrayal of women both in the past and in today's society. Each piece is infused with a vintage flair, celebrating the strength and resilience of women throughout history while highlighting the evolution of their identities.
The paintings utilize loose abstract brushstrokes that contrast with tighter, more precise marks, symbolizing the dynamic nature of women's experiences. This deliberate juxtaposition reflects the balance between freedom and structure, suggesting that while society may impose certain expectations, the spirit of women remains vibrant and unconfined.
Playful references to objects such as roller skates and hair rollers serve as nostalgic icons, evoking memories of carefree youth and the unique ways women have expressed their individuality. These elements not only enhance the visual narrative but also invite viewers to engage with their own memories and associations, fostering a deeper connection to the themes of the series.
Through "She's So Vintage," I aim to create a dialogue about how we perceive women—past and present—encouraging a celebration of their multifaceted identities and the rich stories they carry. This series is a tribute to the strength, style, and spirit of women, reminding us that their impact transcends time, resonating deeply within our collective consciousness.
Silhouette Series
In my Silhouette Series, I explore the beauty of femininity through the interplay of texture and form. Each piece accentuates the bodies of women, highlighting the unique textures that define their identities and experiences. The warm tones used throughout the series create a sense of intimacy and warmth, inviting viewers to connect on a deeper level.
By obstructing the faces of the women, I shift the focus to their forms, encouraging an appreciation for the physicality and presence of the female body. This intentional choice emphasizes the idea that identity is not solely defined by facial features but is also deeply rooted in the richness of individual experiences and emotions.
Through this series, I aim to celebrate the strength and complexity of women, inviting viewers to contemplate their own interpretations of femininity. The textures within each silhouette serve as a metaphor for the diverse layers of womanhood, revealing that beauty comes in many forms and is often found in the subtleties of each unique figure. The Silhouette Series is a tribute to the resilience and grace of women, encouraging a dialogue around self-acceptance and the celebration of individuality.
