Acrylic, collage, and resin on cradled wood
12 × 12 × 1 inches | 2026
A figure fragmented and reassembled—caught between visibility and interruption.
Stop Wasting My Time brings together fragments of image, pattern, and gesture into a composition that feels both constructed and unstable. The figure is partially obscured—split, layered, and interrupted—suggesting a tension between presence and erasure.
The oversized barcode introduces a language of commerce, measurement, and assigned value, questioning the ways women are categorized, evaluated, and consumed. Paired with the assertive title, it suggests a refusal to surrender one's time, attention, and identity to the expectations of others. The fragmented imagery challenges these systems of control, creating tension between commodification and personal autonomy.
The layered resin surface introduces depth and reflection, subtly altering the imagery as light moves across the composition.
This work is also available as an archival print.
Acrylic, collage, and resin on cradled wood
12 × 12 × 1 inches | 2026
A figure fragmented and reassembled—caught between visibility and interruption.
Stop Wasting My Time brings together fragments of image, pattern, and gesture into a composition that feels both constructed and unstable. The figure is partially obscured—split, layered, and interrupted—suggesting a tension between presence and erasure.
The oversized barcode introduces a language of commerce, measurement, and assigned value, questioning the ways women are categorized, evaluated, and consumed. Paired with the assertive title, it suggests a refusal to surrender one's time, attention, and identity to the expectations of others. The fragmented imagery challenges these systems of control, creating tension between commodification and personal autonomy.
The layered resin surface introduces depth and reflection, subtly altering the imagery as light moves across the composition.
This work is also available as an archival print.
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