2026
Resin and mixed media on wood
31 x 25.5 x 1.5 in
Ornament becomes structure—where decoration begins to assert itself.
The Kingdom Comes constructs the figure through repetition, layering, and embedded forms. Decorative elements—pattern, embellishment, and surface detail—shift from passive ornament into active structure, shaping how the figure is read and held in space.
The composition balances control and excess. What initially appears ordered begins to accumulate, creating tension between containment and expansion. The figure is not singular, but built through repetition and visual density.
Encased in resin, the surface both preserves and intensifies these layers. Light moves across the work, revealing shifts in depth and subtle distortions, reinforcing the instability between what is decorative and what is structural. The work exists between adornment and assertion.
2026
Resin and mixed media on wood
31 x 25.5 x 1.5 in
Ornament becomes structure—where decoration begins to assert itself.
The Kingdom Comes constructs the figure through repetition, layering, and embedded forms. Decorative elements—pattern, embellishment, and surface detail—shift from passive ornament into active structure, shaping how the figure is read and held in space.
The composition balances control and excess. What initially appears ordered begins to accumulate, creating tension between containment and expansion. The figure is not singular, but built through repetition and visual density.
Encased in resin, the surface both preserves and intensifies these layers. Light moves across the work, revealing shifts in depth and subtle distortions, reinforcing the instability between what is decorative and what is structural. The work exists between adornment and assertion.
