2026
Resin and mixed media on wood
31 x 25.5 x 1 in
An image presented—and assembled—through the language of idealized femininity.
Miss January draws from the visual language of glamour and presentation, where the figure appears polished, composed, and immediately recognizable. Referencing familiar formats of display, the work situates the figure within a framework that suggests both visibility and expectation.
Beneath this surface, the image is constructed through layers—assembled rather than fixed. Elements of collage and repetition interrupt the illusion of completeness, revealing the figure as something shaped through external codes and visual conventions.
Encased in resin, the surface becomes both a seal and a distance. It preserves the image while subtly flattening and distorting it, reinforcing the tension between what is presented and what is constructed. The work exists between icon and fabrication.
2026
Resin and mixed media on wood
31 x 25.5 x 1 in
An image presented—and assembled—through the language of idealized femininity.
Miss January draws from the visual language of glamour and presentation, where the figure appears polished, composed, and immediately recognizable. Referencing familiar formats of display, the work situates the figure within a framework that suggests both visibility and expectation.
Beneath this surface, the image is constructed through layers—assembled rather than fixed. Elements of collage and repetition interrupt the illusion of completeness, revealing the figure as something shaped through external codes and visual conventions.
Encased in resin, the surface becomes both a seal and a distance. It preserves the image while subtly flattening and distorting it, reinforcing the tension between what is presented and what is constructed. The work exists between icon and fabrication.
